I’ve been reading Ted Hughes’
Birthday Letters, the astonishing series of poems he wrote about Sylvia Plath… to her? To commemorate her? To make meaning of his life story as it intertwined with hers? All of those?
I am struck by one line: "your worship needed a god." Hughes captures here something I’ve been buffeted by through the end times of my life story co-written with B – we only are what we are as we are seen to be that by someone else -- what we make in relationship. (Stephin Merrit got it so well:
“you need me/like the wind needs the trees/to blow in/like the moon needs poetry/you need me”). This is a deep and profound truth to me, and the essential focus of my academic work on relational identity. B reviles it, seeing in it an erasing, an obliteration of an essential her. Our subversive loop.
Yesterday, in a writing workshop, my lumpen stuttering paragraph about this core idea was critiqued in front of 20 or so colleagues. I realized with simultaneous placidity and sharp recognition that I do what Judy pointed out, wind my core ideas round with tangles of cord like the abrasive string I use to tie newspapers for recycling, the kind that breaks if you pull it too hard the wrong way and leaves rope burns in your palms. I rewrite.
We make and remake ourselves and each other in our relationships. We make and remake each other most profoundly in our intimate relationships.In the airport today, I realize that this is the first trip since B and I broke up where I haven’t been dragging a metallic, unbearable yearning for my home and life lost along with my always-too-full suitcase, the bulging swiss army bag she called my Red Buddy. I’ve flown seven times, taken the train and driven the 401 multiple other times on my own since last April, and this is the first time I haven't, in the silent liminal space, found tears.
Walking across the (vast, of course) parking lot on a truncated quest for tamales last night, I realized there was no one I needed to find a little trinket for (replaying the ritualized "I was thinking of you" that marked my grandparents' return from every trip, the floppy cloth sunhats with little wicker dolls on them from some sun spot, the grey T-shirt from Raffles in Singapore that conjured up Sahib Grandpa as post-colonial industrialist and which made me sweat in a nasty manner). No one to coordinate with about airport pickups, with the inevitable miscommunication or delay on either side. This was something I just noted, with no yearning. That there are people who are glad to see me home, with whom I sing forward into connections -- and, there's no One Person in the World whose home is incomplete without me. I can be remade in multiple smaller spaces... and today, tomorrow, this is just fine.